R (for strong violence including a sexual assault, language, sexuality/nudity and drug use) | 1 Hour, 58 Minutes | Action, Thriller
Code named 'The November Man', Peter Devereaux (Pierce Brosnan) is a lethal and highly trained ex-CIA agent, who has been enjoying a quiet life in Switzerland. When Devereaux is lured out of retirement for one last mission, he must protect valuable witness, Alice Fournier, (Olga Kurylenko). He soon uncovers this assignment marks him a target of his former friend and CIA protégé David Mason (Luke Bracey). With growing suspicions of a mole in the agency, there is no one Devereaux can trust, no rules and no holds barred. With a screenplay by Michael Finch & Karl Gajdusek based on Bill Granger's novel "There are No Spies" from the bestselling November Man book series, THE NOVEMBER MAN is the ultimate cat and mouse game set in the world of international espionage. Directed by Roger Donaldson (The Bank Job, No Way Out, Thirteen Days).
Hamburg, Germany: 2012. A mysterious, tortured and near-dead half-Chechen, half-Russian man on the run (Grigoriy Dobrygin) arrives in the city’s Islamic community desperate for help and looking to recover his late Russian father’s ill-gotten fortune. Nothing about this young man seems to add up; is he a victim or a thief or, worse still, an extremist intent on destruction? Drawn into this web of intrigue are a banker (Dafoe) and a young female lawyer (McAdams) who is determined to defend the defenseless. All the while, they are being watched by the brilliant, roguish chief of a covert German spy unit (Hoffman), who fights to put the pieces together as the clock ticks. In an adrenaline laced and heart-rending escalation of tension and collision, it’s not long before he becomes everyone’s most wanted man. "A Most Wanted Man," a cerebral tale of intrigue in the vein of "Tinker Tailor Soldier Spy," is also contemporary and deeply human, touching themes in love, rivalry and politics we live with every day. Philip Seymour Hoffman, Rachel McAdams, Robin Wright, Willem Dafoe, Daniel Brühl
"Dolphin Tale 2" continues the story of the brave dolphin Winter, whose miraculous rescue and recovery-thanks to a groundbreaking prosthetic tail-made her a symbol of hope and perseverance to people around the world and inspired the 2011 family hit movie "Dolphin Tale." The film reunites the entire main cast, led by Harry Connick, Jr., Oscar (R) winner Morgan Freeman ("Million Dollar Baby"), Ashley Judd, Kris Kristofferson, Nathan Gamble, Cozi Zuehlsdorff, Austin Stowell, and, of course, the remarkable dolphin Winter as herself.
R (for language, sexual content and some drug use) | 1 Hour, 53 minutes | Comedy Drama
When their father passes away, four grown siblings, bruised and banged up by their respective adult lives, are forced to return to their childhood home and live under the same roof together for a week, along with their over-sharing mother and an assortment of spouses, exes and might-have-beens. Confronting their history and the frayed states of their relationships among the people who know and love them best, they ultimately reconnect in hysterical and emotionally affecting ways amid the chaos, humor, heartache and redemption that only families can provide—driving us insane even as they remind us of our truest, and often best, selves. Starring Jason Bateman and Tina Fey.
METROPOLITAN OPERA LIVE IN HD 2014-15 SEASON Beginning October 11th!
October 11, 2014, 12:55 pm ET
Star soprano Anna Netrebko delivers her searing portrayal of Lady Macbeth, the mad and murderous mate of Željko Lučić’s doomed Macbeth, for the first time at the Met. Adrian Noble’s chilling production of Verdi’s masterful adaptation of Shakespeare’s tragedy also stars Joseph Calleja as the noble Macduff and René Pape as Banquo. Fabio Luisi conducts.
Met Music Director James Levine conducts a spirited new production of Mozart’s masterpiece, directed by Richard Eyre, who sets the action of this classic domestic comedy in an 18th-century manor house in Seville during the 1930s. Dashing bass-baritone Ildar Abdrazakov leads the cast in the title role of the clever servant, opposite Marlis Petersen as his bride, Susanna, Peter Mattei as the philandering Count they work for, Amanda Majeski as the long-suffering Countess, and Isabel Leonard as the libidinous pageboy Cherubino.
Richard Eyre’s mesmerizing production of Bizet’s steamy melodrama returns with mezzo-soprano Anita Rachvelishvili singing her signature role of the ill-fated gypsy temptress. Aleksandrs Antonenko plays her desperate lover, the soldier Don José, and Ildar Abdrazakov is the swaggering bullfighter, Escamillo, who comes between them. Pablo Heras-Casado conducts the irresistible score, which features one beloved and instantly recognizable melody after another.
The Met’s effervescent production of Rossini’s classic comedy—featuring some of the most instantly recognizable melodies in all of opera—stars Isabel Leonard as the feisty Rosina, Lawrence Brownlee as her conspiring flame, and Christopher Maltman as the endlessly resourceful and charming barber, himself. Michele Mariotti conducts the vivid and tuneful score.
James Levine returns to one of his signature Wagner works conducting this epic comedy—back at the Met for the first time in eight years—about a group of Renaissance “master singers” whose song contest unites a city. Johan Reuter, Johan Botha, and Annette Dasch lead the superb international cast in this charming and magisterial celebration of the power of music and art.
The great Renée Fleming stars as the beguiling femme fatale who captivates all Paris in Lehár’s enchanting operetta, seen in a new staging by Broadway virtuoso director and choreographer Susan Stroman (The Producers,Oklahoma!, Contact). Stroman and her design team of Julian Crouch (Satyagraha, The Enchanted Island) and costume designer William Ivey Long (Cinderella, Grey Gardens, Hairspray) have created an art-nouveau setting that climaxes with singing and dancing grisettes at the legendary Maxim’s. Nathan Gunn co-stars as Danilo and Kelli O’Hara is Valencienne. Andrew Davis conducts.
The magnetic tenor Vittorio Grigolo takes on the tortured poet and unwitting adventurer of the title of Offenbach’s operatic masterpiece, in the Met’s wild, kaleidoscopic production. Hibla Gerzmava, Erin Morley, and Christine Rice sing the three heroines—each an idealized embodiment of some aspect of Hoffmann’s desire. Thomas Hampson portrays the shadowy Four Villains, and Yves Abel conducts the sparkling score.
Tchaikovsky’s Iolanta / Bartok's Bluebeard's Castle—New Production
February 14, 2015, 12:30 pm ET
On the heels of her triumphant Met performances in Eugene Onegin, soprano Anna Netrebko takes on another Tchaikovsky heroine in the first opera of this intriguing double bill, consisting of an enchanting fairy tale (Iolanta) followed by an erotic psychological thriller (Duke Bluebeard’s Castle). Netrebko stars as the beautiful blind girl who experiences love for the first time in Iolanta, while Nadja Michael is the unwitting victim of the diabolical Bluebeard, played by Mikhail Petrenko. Both operas are directed by Mariusz Trelinski, who was inspired by classic noir films of the 1940s. Iolanta also stars Piotr Beczala, and Valery Gergiev conducts both operas.
Bel canto superstars Joyce DiDonato and Juan Diego Flórez join forces for this Rossini showcase of vocal virtuosity, set in the medieval Scottish highlands and based on a beloved novel by Sir Walter Scott. DiDonato is the “lady of the lake” of the title, and Flórez is the king who relentlessly pursues her, their vocal fireworks embellishing the romantic plot in this Met premiere production conducted by Michele Mariotti.
Mascagni’s Cavalleria Rusticana / Leoncavallo's Pagliacci—New Production
April 25, 2015, 12:30 pm ET
Opera’s most enduring tragic double bill returns in an evocative new production from Sir David McVicar, who sets the action across two time periods but in the same Sicilian village. Marcelo Álvarez rises to the challenge of playing the dual tenor roles of Turiddu in Cavalleria Rusticana and Canio in Pagliacci. Rae Smith (War Horse) has designed the moodily atmospheric 1900 village square setting of Cavalleria, which transforms to a 1948 truck stop for the doomed vaudeville troupe of Pagliacci. Eva-Maria Westbroek (Cav) and Patricia Racette (Pag) sing the unlucky heroines, and Met Principal Conductor Fabio Luisi is on the podium.